TV & Film Mixing & Mastering
TV & Film Mixing & Mastering
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What Is TV & Film Mixing & Mastering?
Film mixing and mastering are crucial stages in the post-production process of filmmaking, primarily focused on the audio elements of a film. Film mixing, also known as sound mixing or re-recording mixing, is the process of combining and adjusting all the individual audio elements of a film to create a final, balanced soundtrack. This includes dialogue, music, sound effects, and ambient sounds. The goal of film mixing is to ensure that the audio elements work together harmoniously and contribute to the overall storytelling experience. It involves adjusting the levels, panning, and EQ of each sound element to achieve clarity, realism, and emotional impact.
The primary purpose of film mastering is to optimise the audio for the specific requirements of different playback systems and platforms. This includes ensuring that the audio meets industry standards, is properly balanced, and is compatible with the technical specifications of the chosen distribution medium.
Speakers / Monitors
4x PMC Ci30
4x PMC Ci65
7x PMC Ci140
2x PMC Ci140 Sub
EQ’s
Hendy Amps Michelangelo XL
Blackbox HG-Q
2x Cranborne Audio Carnaby HE2
Wes Audio NG Tube EQ
13x Wes Audio Hyperion
2x Wes Audio Prometheus
24x Solid State Logic E/G Series EQ
2x Bettermaker Mastering EQ
Bettermaker PEQ_Core
Compressors
Hum Audio LAAL
Wes Audio NG Tube Comp
Wes Audio NG Bus Comp
Wes Audio NG78
10x Wes Audio Rhea
8x Wes Audio Pandora
8x Wes Audio Dione
Bettermaker Darthlimiter
Zombie Rec Mammut
Saturation
Klanghabitat Cassiopeia
2x FreqPort FreqTube
Reverbs
Tegeler Audio Raumzeitmaschine
IGS Springtime
Console
Solid State Logic Oracle
Wes Audio NG Sum Box
Wes Audio NG Leveler
Avid S4
Converters
Avid MTRX Studio (TB)
Lynx Aurora N 32 HD
Lynx Aurora N 16 HD
Burl B-16 Mothership
Burl BAD4M
Burl BDA4M
Other
Trinnov MC-Pro Dante 64
Flock Audio Patch
5x McDSP APB 16
Short & Feature Films
We’ve had the opportunity to work on a range of short films and feature films, helping filmmakers achieve polished, professional audio that supports the story and enhances the overall viewing experience. From detailed mixing and mastering to preparing audio for final delivery, our work is focused on clarity, impact and consistency across every scene. Below you’ll find a selection of films we’ve been proud to work on.
1915 Legend Of The Gurkhas
Look To The Light
Above What Cost?
Where The Children Go To Play
Jake & Pete's Christmas Special
Film Trailers
We’ve had the privilege of working on music for a range of Hollywood feature films, helping ensure each track delivers the impact, clarity and polish required for major film productions. From detailed mixing and mastering to final music preparation, our work is focused on creating powerful, cinematic results that translate confidently to the big screen. Below you’ll find a selection of Hollywood films featuring music we’ve been proud to work on.
Snow White
Wicked
Teenage Mutant Ninja Turtles
Wish
Frozen 2
Dune
F9
Mulan
Downton Abbey
What Our Clients Say About Us
What sets Audio Animals apart from other companies is our deep understanding of our clients and their needs. We know you want revisions included in the service. We understand the importance of fast, reliable turnaround times. We ensure you only pay for the services you require, without any unnecessary add-ons. Our focus on truly understanding our clients allows us to provide a service tailored specifically to your needs.
Jason Stevens
"Brilliant end result, we are all super happy with how everything turned out. Watching the finished film is like I am experiencing it for the very first time. Top job, thank you!"
Josh Forshaw
"It's so nice to work with people who care as much as me about my film. I met with Paul to discuss the project in detail and he even attended the premier to celebrate the launch."
Frame Byte Studios
“Audio Animals delivered a superb mix for the Piercing the Veil film and trailer. The added depth, clarity and impact elevated the sound while staying true to the original feel.”
David Anthony
"Couldn't be happier with the outcome of my short film. Paul took it from sounding like a budget film into a Hollywood blockbuster. I can't thank you enough for all your help with."
TV & Film Mixing FAQ
If you can’t find the answer you’re looking for, please get in touch using the contact details below and our team will be happy to help with any questions you may have.
Phone: +44 (0) 7415 17 55 30
Email: studio@audioanimals.co.uk
Whatsapp: +44 (0) 7415 17 55 30
What Studio Is TV / Film Mixing & Mastering Performed In?
All TV and film mixing and mastering is performed in Studio B by Paul Ashmore. Studio B has been fitted 7.1.6 Dolby Atmos system including Trinnov optimisation for perfect audio playback. Studio B is a purpose-built, state-of-the-art mixing and mastering studio featuring both an Avid S4 and an SSL Oracle console.
What Is The Turnaround?
Turnaround time greatly depends on the project and how much is involved. We always recommend leaving at least a month for the entire process to be completed on larger film. Revisions can often take some time depending on the film. If you have a deadline please contact us beforehand to discuss if the deadline is possible.
How Many Revisions Can I Make?
We do not limit the amount of revisions you can make with film and TV projects. We understand after working on various film and TV projects there are often a lot of revisions required by multiple different people and departments within the project. For this reason we don't feel it is helpful to limit the amount of revisions.
Can I Speak With The Engineer Before Placing My Order?
Yes, before we start your project we can discuss anything you may need to talk about, over the phone or via a Zoom call. A full list of contact information can be found here.
Can I Get A Bespoke Quote Or An Independent Film Discount?
Yes, we understand different films have different budgets and that projects need to stick to a certain budget. If you would like to discuss your project and budget please contact us using the contact form here.
How Should I Send My Files?
Your stems can be uploaded safely and securely via our upload form here. Leave any processing you may have active if it is part of the film.
- File Type: Wav
- Bitrate: 16/24/32bit
- Sample Rate: 48kHz - 96kHz
- Headroom: -3db / -6db
It is important to separate stems as much as possible. We advise each actor has their own stem and no audio overlap. A typical small film will break down as follows.
- Atmos (2 Stems)
- Backing Noise
- Foley (3 Stems)
- Sound Effects (3 Stems)
- Music
- Dialogue (10 Stems)
How Far Should I Take The Audio Mixing On My Film?
We advise taking the mix as far as you can so that you have a finished draft of the movie ready to mix.
Should I Send The Finished Film With The Stems?
Yes, we will need the finished film as a reference for where to pan sound and to be able to fit the audio to the mood on the on screen visuals. The film must not be subject to change once mixing has begun.
Can I Put Multiple Different Sounds On One Stems?
Yes, as long as they do not ever overlap with another stem. This allows you to keep the stem count to a minimum.
When Do I Pay For The Service?
Orders / payment must be made before work on your song begins. This ensures our engineers, take the necessary time and care required to return you the very best master.
What Will I Receive Back?
Stereo masters are returned in the following formats, if you require any others, please let us know:
- 96kHz 24bit wav
- 48kHz 24bit wav
Dolby Atmos masters are returned in the following formats:
- 48kHz 24bit wav ADM
- 96kHz 24bit wav ADM
- 96kHz 24bit wav binaural mix
- 96kHz 24bit wav re-renders
- 768kbs mp4
Can I Credit Audio Animals For The Mastering?
Yes, if you would like to credit Audio Animals for the mastering of your music you can do so. Please credit Audio Animals Ltd and either Paul Ashmore or Nick Burchall as the engineer. This is not required but is greatly appreciated.