TV / Film Mixing & Mastering

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TV / Film Duration

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SKU: AA-FILM-MIXING Category:

    HOW TO PLACE YOUR ORDER

    1. Select Your Service: To create your TV/Film mixing and mastering package, first select the duration of your film. Next, choose the number of stems you will be sending for mixing.
    2. Package Customisation: Select if you require a Dolby Atmos master or mixed stems of the finished film.
    3. Checkout & Upload: After selecting your package, add it to your basket and complete the checkout. Once payment is confirmed, upload your files and details using the upload form in your account here. Don’t forget to include your order number for easy reference.
    4. Processing: As soon as we receive your payment and files, we will begin working on your order. We will discuss deadlines and turnaround times with you and arrange a suitable time for a detailed conversation about your project.
    5. Final Delivery: When your order is completed, your files will be delivered via email. If any revisions or edits are needed, you can discuss them with the engineer. Once you’re satisfied with the final result, your order will be marked as complete.

    Under the TV / Film Duration tab you can select how long your film is.

    • 5 Minutes
    • 10 Minutes
    • 15 Minutes
    • 30 Minutes
    • 45 Minutes
    • 60 Minutes
    • 90 Minutes
    • 120 Minutes
    • 150 Minutes

    Under the Stem Count tab you can select the amount of stems you will be sending to be mixed.

    • 2-10 Stem Mix & Master
    • 11-25 Stem Mix & Master
    • 26-50 Stem Mix & Master
    • 51-100 Stem Mix & Master
    • 101-250 Stem Mix & Master
    • 251-500 Stem Mix & Master

    By adding + Dolby Atmos Mix & Master to your order, you will receive back the Dolby Atmos master file which can be used for playback of your film in Dolby Atmos.

    By adding + Mixed Stems to your order, you will receive all stems as they are mixed during the session. This includes mixed buses for dialogue, atmos, sound effects (SFX), and music. The playback of the mixed stems will accurately reflect the finished stereo mix of the film. Having mixed stems provides a valuable backup of your film's mix, ensuring you have all essential elements at your disposal.

    WHAT IS TV / FILM MIXING & MASTERING?

    Film mixing and mastering are crucial stages in the post-production process of filmmaking, primarily focused on the audio elements of a film. Film mixing, also known as sound mixing or re-recording mixing, is the process of combining and adjusting all the individual audio elements of a film to create a final, balanced soundtrack. This includes dialogue, music, sound effects, and ambient sounds. The goal of film mixing is to ensure that the audio elements work together harmoniously and contribute to the overall storytelling experience. It involves adjusting the levels, panning, and EQ of each sound element to achieve clarity, realism, and emotional impact.

    The primary purpose of film mastering is to optimise the audio for the specific requirements of different playback systems and platforms. This includes ensuring that the audio meets industry standards, is properly balanced, and is compatible with the technical specifications of the chosen distribution medium.

    SPEAKERS / MONITORS
    4x PMC Ci30
    4x PMC Ci65
    5x PMC Ci140
    2x PMC Ci140 Sub
    Tantrum Audio Angry Box

    CONSOLE
    Avid S4 Console

    AMPS / CONVERTERS
    Avid MTRX Studio
    Burl B2 Bomber ADC
    Burl B2 Bomber DAC
    Ferrofish Pulse 16 DX
    Ferrofish Pulse 16
    Trinnov MC-Pro Dante 16
    Martin Logan MDA16
    Martin Logan MDA8
    Rupert Neve RNHP
    Flock Audio Patch

    EQ'S
    Wes Audio NG Tube EQ
    7x Wes Audio Hyperion
    4x Wes Audio Prometheus
    Bettermaker Mastering EQ
    Bettermaker VSPE
    Cranborne Audio Carnaby HE2
    Cranborne Audio Carnaby HE2 Legacy

    COMPRESSORS
    Wes Audio NG Bus Comp
    3x Wes Audio Rhea
    4x Wes Audio Pandora
    2x Wes Audio Mimas
    Wes Audio Dione
    Bettermaker Bus Compressor
    Bettermaker Dathlimiter
    Hum Audio LAAL

    OTHER PROCESSING
    5x McDSP APB 16
    McDSP APB 8

    FEATURE FILMS

    FILM TRAILERS

    WHAT OUR CLIENTS SAY ABOUT US

    What sets Audio Animals apart from other companies is our deep understanding of our clients and their needs. We know you want revisions included in the service. We understand the importance of fast, reliable turnaround times. We ensure you only pay for the services you require, without any unnecessary add-ons. Our focus on truly understanding our clients allows us to provide a service tailored specifically to your needs.

    Jason Stevens

    "Brilliant end result, we are all super happy with how everything turned out. Watching the finished film is like I am experiencing it for the very first time. Top job, thank you!"

    David Anthony

    "Couldn't be happier with the outcome of my short film. Paul took it from sounding like a budget film into a Hollywood blockbuster. I can't thank you enough for all your help with."

    Josh Forshaw

    "It's so nice to work with people who care as much as me about my film. I met with Paul to discuss the project in detail and he even attended the premier to celebrate the launch."


    TV / FILM MIXING & MASTERING FAQ

    All TV and film mixing and mastering is performed in Studio B by Paul Ashmore. Studio B has been fitted 9.1.4 Dolby Atmos system including Trinnov optimisation for perfect audio playback.

    Turnaround time greatly depends on the project and how much is involved. We always recommend leaving at least a month for the entire process to be completed on larger film. Revisions can often take some time depending on the film. If you have a deadline please contact us beforehand to discuss if the deadline is possible.

    We do not limit the amount of revisions you can make with film and TV projects. We understand after working on various film and TV projects there are often a lot of revisions required by multiple different people and departments within the project. For this reason we don't feel it is helpful to limit the amount of revisions.

    Yes, before we start your project we can discuss anything you may need to talk about, over the phone or via a Zoom call. A full list of contact information can be found here.

    Yes, we understand different films have different budgets and that projects need to stick to a certain budget. If you would like to discuss your project and budget please contact us using the contact form here.

    Your stems can be uploaded safely and securely via our upload form in your account here. Leave any processing you may have active if it is part of the film.

    • File Type: Wav
    • Bitrate: 16/24/32bit
    • Sample Rate: 48kHz - 96kHz
    • Headroom: -3db / -6db

    It is important to separate stems as much as possible. We advise each actor has their own stem and no audio overlap. A typical small film will break down as follows.

    • Atmos (2 Stems)
    • Backing Noise
    • Foley (3 Stems)
    • Sound Effects (3 Stems)
    • Music
    • Dialogue (10 Stems)

    We advise taking the mix as far as you can so that you have a finished draft of the movie ready to mix.

    Yes, we will need the finished film as a reference for where to pan sound and to be able to fit the audio to the mood on the on screen visuals. The film must not be subject to change once mixing has begun.

    Yes, as long as they do not ever overlap with another stem. This allows you to keep the stem count to a minimum.

    Orders / payment must be made before work on your song begins. This ensures our engineers, take the necessary time and care required to return you the very best master.

    Your mixes can be uploaded safely and securely via our upload form in your account here. Bypass any compression / limiting you may have on your master bus before printing your mix ready for mastering.

    • File Type: Wav
    • Bitrate: 16/24/32bit
    • Sample Rate: 44,1kHz - 96kHz
    • Headroom: -3db / -6db

    Stereo masters are returned in the following formats, if you require any others, please let us know: 

    • 96kHz 24bit wav
    • 48kHz 24bit wav

    Dolby Atmos masters are returned in the following formats:

    • 48kHz 24bit wav ADM
    • 96kHz 24bit wav ADM
    • 96kHz 24bit wav binaural mix
    • 96kHz 24bit wav re-renders
    • 768kbs mp4

    Yes, if you would like to credit Audio Animals for the mastering of your music you can do so. Please credit Audio Animals Ltd and either Paul Ashmore or Nick Burchall as the mastering engineer. This is not required but is greatly appreciated.

    © 2012-2024 Audio Animals Ltd. Registered in England and Wales. Company No: 08244563